I added a photopolymer platemaker for letterpress printing to the studio.
The pandemic has come with some unusual changes in routine that have had many benefits in terms of making progress on my first book project.
Learning more about mechanics has been one of the surprising and wonderful aspects of working to get my printing press operation up and running. If I'm not actually able to practice printing, I'm at least learning how to repair and maintain the presses.
My C&P press had an old car belt hooked up to the old motor, and the previous owner had put a ton of black electrical tape on one end of the motor to keep the belt from migrating off as it ran. In addition to replacing the motor and getting rid of that tape, we added a leather drive belt this week.
This month I completed the Polymer Plate classes taught by book artist, Lars Kim, at the San Francisco Center for the Book.
Last week, the majority of the press equipment and type was moved from storage into the studio.
Progress is being made! Here are photos of mock-ups of the press equipment. The Vandercook is on one side and the C&P is on the other.
In February, I completed the Cylinder Core Curriculum at the SF Center for the Book. We practicing setting type, working with a pica ruler, pulling proofs, locking up the type in the Vandercook press beds, inking, adjusting the rollers...